Lonnie Holley

One of the more fascinating releases of the year comes from the sharp curatorial ear of the Dust To Digital folks:

Lonnie Holley was born on February 10, 1950 in Birmingham, Alabama, the seventh of 27 children. From the age of five, Holley worked various jobs: picking up trash at a drive-in movie theatre, washing dishes, and cooking. He lived in a whiskey house, on the state fairgrounds, and in several foster homes. His early life was chaotic and Holley was never afforded the pleasure of a real childhood.

Since 1979, Holley has devoted his life to the practice of improvisational creativity. His art and music, born out of struggle, hardship, but perhaps more importantly, out of furious curiosity and biological necessity, has manifested itself in drawing, painting, sculpture, photography, performance, and sound. Holley’s sculptures are constructed from found materials in the oldest tradition of African American sculpture. Objects, already imbued with cultural and artistic metaphor, are combined into narrative sculptures that commemorate places, people, and events.

Holley did not start making and performing music in a studio nor does his creative process mirror that of the typical musician. His music and lyrics are improvised on the spot and morph and evolve with every event, concert, and recording. In Holley’s original art environment, he would construct and deconstruct his visual works, repurposing their elements for new pieces. This often led to the transfer of individual narratives into the new work creating a cumulative composite image that has depth and purpose beyond its original singular meaning. The layers of sound in Holley’s music, likewise, are the result of decades of evolving experimentation. “Just Before Music” features Holley’s first studio recordings made in 2010 and 2011.

Needless to say, this record floats out of speakers in a way that could indicate 1973, 83, 93, 0r 2013 (it is indeed a new recording, and he’s working on another with Black Lips/Deerhunter members assisting) and New Yorkers can see Holley play live tomorrow night, (March 22nd) at the Whitney Museum at 6:30pm as part of their Blues For Smoke Series. (Brian Turner)

Los Exitos de Sex Pistols

It seems that a Spanish record company opted to hire a knockoff band to re-record Never Mind the Bollocks, rather than actually pay the Sex Pistols to license it. In a move akin to some of the K-Tel-style greatest hits (or the pseudo K-Tel compilations not recorded by the original artist in the ’70s), “Los Punkrockers” were brought in to record this 1978 piece of amazing vinyl, Los Exitos de Sex Pistols.

I dare say this genius record ups the snot factor: the guitar sounds cruder and almost plugged right into the board, the singer sneers and throws some curveballs into the lyrical scheme (the chorus of “Pretty Vacant”).  It was already of questionable legality to start with but bootleg LPs appeared later on (as Stuart from Shit-Fi documents in detail). Too bad the Clash, Damned, et al didn’t get the same treatment and a few more paychecks for Los Punkrockers. (Brian Turner)

MP3: “Holiday In the Sun”

MP3: “Pretty Vacant”

Introducing Tim Maia

If you’re not familiar with Brazilian superstar Tim Maia‘s music and story then start with this 2 minute animated bio narrated by Devandra Banhart then listen to Luaka Bop‘s excellent Tim Maia compilation ‘Nobody Can Live Forever’.

 

 

Tom Waits interview 1979

Great hour plus interview backstage at the Shyrock Auditorium in Carbondale, Illinois. “I gotta shake this whole wino image.” (BT)

James Brown, Bobby Byrd and Bootsy on Italian TV

James Brown performs Soul Power + Get Involved on Italian TV in 1971 – with Bobby Byrd and Bootsy Collins!

 

 

 

Novos Baianos

This jammer “Alunte” from 1973, Baby Consuelo doing the Bahian breakdown. Novos Baianos ruled between 1969-78 with some frequent help from João Gilberto, had a great effect on Brazilian rock, and at one point lived in a garage playing soccer a lot, accounting for the title of their ’72 LP Novos Baianos F.C. (Brian Turner)

In The Chapel

This rare Bob Marley gem came to my attention via the excellent recent ‘Marley’ documentary.

 

 

somewhat influenced by this song sung by Elvis and many others

 

 

here’s where I take it one step too far……

(ss)

Yanka

Upon hosting a live set on my WFMU show from Pink Reason (which was at that particular time just a solo Kevin Failure) back in 2006, I learned about the years Kevin spent with his relocated American parents in 1990′s Siberia, and also learned some history of what was surely a rich but uber-contained underground punk and psychedelic rock scene going on. A couple years earlier, Igor from Kim’s record store in NYC had already floated me a CD of Opizdenevshie which I really dug, couldn’t quite assimilate to anything else in contempo psych-punk, and wanted to know more. I later found out that this band had done music with Egor Letov, an Omsk-born avant-protest-punk who had laid a pretty intensive foundation for mid-to-late 80′s Soviet underground music, particularly in the band Grazhdanskaya Oborona. A few months ago after Kevin had settled down in Brooklyn, I jumped at the opportunity when he offered to bring out some of his collected sounds from the then-Soviet (and especially Siberian) underground; the three hour show’s archived here. Pretty much everything he brought down blew me away, especially the LP Stid I Sram by a Novosibirsk-born woman named Yanka (AKA Yana Stanislavovna Dyagileva). During her 1988-91 presence on what was a super tight-knit scene, she was the significant other of Letov playing in assorted combos as well, and he played on her records in turn. Yanka was found dead in 1991, drowned in a river with the official tag of suicide, though apparently that’s been somewhat debated. That particular debate can surely be fueled by the track “Pridyot Voda” which Kevin played, an epic, 9 minute fiery folk-punk anthem with Yanka spitting out angry verse after verse, literally referring to the act of drowning before the song leaps into a devastating, swirling organ solo that wouldn’t sound out of place on a noise record. It’s really incredible, but apologies for the short skip within the MP3 (right below) due to the vinyl not being in optimal shape. Letov, by the way, passed away from heart failure in 2008, and Kevin did a tribute performance in tribute to him, which you can check out some of on You Tube. (brian turner)

Yanka: “Prodyot Voda” (MP3)

Some more songs (including a solo video clip, hard to find much more):

The Ex and Getatchew Mekuria – Y’Ambessaw Tezeta

The Ex have released an excellent record, ‘Y’Ambessaw Tezeta’, collaborating with Getatchew Mekuria, the legendary Ethiopian saxophonist known to some of us via the Ethipioques 14 CD. Friend and photographer Matias Corral  has traveled with the  Ex to Ethiopia and has had the good fortune to take the following photos with Getatchew Mekuria and The Ex.

Continue reading »

Chris Lee – Bury the Kings Video + Williamsburg Park Show

Chris Lee’s new video for the title track from his new LP :

 

Chris and his band will open for the Jayhawks at Williamsburg Park in Brooklyn, NY on september 15. The All-Ages show is free and doors are at 5:30pm.